VACHET J., (2025). Side Jobs as Shields against Precariousness, Compromission and Entrepreneurialism among Independent Musicians.
VACHET J., (2025). Les territoires de la musique enregistrée en transition(s) : congrès de la SFSIC.
VACHET J., (2025). Down the Rabbit Hole: Seduction, Luck, Fast Failure, and Coping Mechanisms of Actors on the Blockchain.
VACHET J., (2025). Keeping your head above water: coping strategies of independent musicians in light of gender, sex, race and class.
VACHET J., (2025). Resistance to Entrepreneurship and Return to (Precarious) Waged Job- Side-Jobs and Self-Realisation among Independent Musicians.
VACHET J., (2024). ‘On ne sauve pas des vies’ : travailler pour les festivals de cinéma : glamour, engagement et précarité.
VACHET J., (2024). Precariousness, Mental Health, and Gender Violence in the French Music Industry- A Qualitative Study of Working Lives of Those Who Are ‘Behind the Scenes’.
VACHET J., (2024). Resistance to Entrepreneurship and Return to (Precarious) Waged Job- Side-Jobs and Self-Realisation among Independent Musicians.
VACHET J., (2024). Resistance to Entrepreneurship and Return to (Precarious) Waged Job: Side-Jobs and Self-Realisation among Independent Musicians.
VACHET J., (2023). « C’est comme une grande famille ». Vies privée et professionnelle des musicien·nes indépendantes. Entre exploration et exploitation de soi, hédonisme forcé, sociabilité de réseau et styles de vie (pas si) expérimentaux.
VACHET J., (2022). Entrepreneurial Hype and Cheap Entrepreneurs: Music Making and Contingent Employment Relationships.
VACHET J., (2022). Music production, Platforms and the compeled ‘Do It Yourself’.
VACHET J., (2021). Musique, activités annexes, modes de subsitance et réalisation de soi.
VACHET J., (2020). Manufacturing of Recognition and Distribution of Wages in the Music Industries: the Impact on Workers.
VACHET J., (2020). Precarious Housing Conditions among Young Independent Musicians : Bohemianism, Familisation and Social Class Background Inequalities.
VACHET J., (2019). A ‘new mystique’, Forced Entrepreneurship in Relation to Individualisation and Flourishing in the Cultural and Creative Industries.
